Installations / Projects
Lost Works, 2024, Wave Hill Open Studios, Sunroom Project Space
Istoria’s Garden (installation view)
2020, work in progress, air drying clay, washi paper, pva
glue, oil paint, copper wire, fishing line, video projector, speakers, mica
mpeg player, 11’ x 22’ x 6’
Istoria’s Garden is a triptych video installation featuring
super 8 footage shot across diverse locations in Wyoming, Melbourne, Singapore,
Okinawa and New York.
The projections are casted onto biomorphic forms that are
balanced and suspended, interrupting the light to cast delicate shadows that
interact with the video projections.
Glaciers (erratics) - Installation view
2017, Installation, muslin, rabbit skin glue, cheesecloth, angora hair, wire, plaster, wax, video projection, 6 x11 x 4’
Atmospheric
Values (installation shot)
2019, Installation, fabric, thread, homespun thread, 16mm
film, wire, photographs, paperclay, porcelain, found Japanese fabric, metal,
wooden frame, enamel paint, c
opper, glass, mylar, graphite, variable
dimensions, 62 x 100 x 48”
Atmospheric Values is an bricolage installation of assembled
everyday objects related to raw materials such as thread, clay and found
picture frames.
Textured and woven surfaces lean with protrusions and printed
images. Vessels overturned and tapered restate their value as stands.
Undulating
kintsugi surfaces dialogue with lines branching into space. The work is
inspired by Baudrillard’s System of Objects and domesticity.
Looking Glass (installation rear view)
2014, Bronze, concrete, wood, rods, led lamps, glass, variable dimensions, exhibited at the He Xiangninig Museum, Shenzhen, as part of the exhibition, Double Vision
Creative Evolution - Life together
2015, plants, metal, plastic, wood, paper, soil, liquitex
paint
“Creative Evolution, life together”, is a social sculpture
derived from several plant clippings solicited in an open call. The artwork, a
low lying table with a variety of succulents and domestic perennials, is
specifically created for the Clemente center to emphasize social engagement, organic
matter and evolution. The artwork is currently being tended to new custodians
and volunteers in the Clemente.
Natural Resources
solo exhibition at the Swatch Art Peace Hotel, Shanghai, CN 2013
16mm film xfer to video, 120 mm slides, ceramic, prints, stones, lingzhi mushrooms, bamboo tea, silk, wood, glass, wire, variable dimensions
Grandmother's Room (Installation view)
2013, nylon string, 100% white cotton dyed in gold chinese
mineral pigment, chalk, plastic bags, red wrap ties, soil, video,
variable
dimensions (Part of the Meizhou Series Site Specific installations), Exhibited
at M ART Center, Shanghai, March 2014,
Video trt: 7min, sound, shot on location, Meizhou, China
Vimeo link: https://vimeo.com/102799553
This installation was in an abandoned school in the Leow
Ancestral Village in Meizhou, China. Using bags of glossy ganoderma
a
an
adapted ceremonial bed, this artwork recalls the imagined memories of ancestral
heritage.
Journey of the Night
Insallation, HD Video projection, muslin, screen, apx 10 min, 2012, Shot on location,Weir Art Farm, CT
The Binding
Nod Hill Refuge site-specific installation, exhibited at Weir Art Farm, Ridgefield, CT, 2013
31 rit dyed muslin and canvas tie lines, wool, gold and green bamboo string, 12 ceramic tea bowls, 3 weaving chains,
apx 58 ft The Binding (Akedah) is an installation at Weir Art Farm. The piece is site specific and ephemeral. It was installed on June 23 - 24, 2012 on a large fallen oak tree.
Wind Reflection
2011, Dyed Muslin, projection screen, clothesline, HD videoTRT: 9:15, sound, shot on location, Skowhegan, ME38' x 19' x 12', 2011*
